On the surface, the answer is probably no. But then that begs another question: Do we really need another color grading tool? While I don’t think it can achieve those lofty Marvel heights there’s enough power in there to make it a quite useful tool in an editor’s color grading arsenal. But if you watch some of the teaser videos building up to the release you’d think it can be implemented in Marvel Studios and grade the next big superhero blockbuster. Just kicking the tires on Cinema Grade for a few hours it feels powerful enough to get a lot of work done relatively quickly. RUN UPDATE! New real-time video scopes in the 'Base Correction' and 'Final Grading' pages of Cinema Grade v.1.0.12 (298) #cinemagrade /cpWX9SMohY
#FAAP CINEMA GRADE CURRICULAR UPDATE#
UPDATE 10/2/18: It looks like one of my big cons has been added … video scopes on the main Base Correction page. But as I played around with it I ended up with a few more questions than answers.
It’s a cool tool that does take a unique, why-didn’t-I-think-of-that approach to grading. I was curious enough about it that I took some time today to kick the tires a bit on Cinema Grade. This application, according to the developers, is a logical next step beyond Color Finale since that Final Cut Pro X grading tool was pretty much Sherlocked with the 10.4 FCPX update.
It comes from the team that created Color Finale and runs the Color Grading Central web portal. I’ve been watching the teaser videos as Cinema Grade launch day neared and it looked like an intriguing tool. The tagline for Cinema Grade is this: Get cinema-quality results without the pain and frustration of traditional grading tools. Cinema Grade is a new color grading plug-in for Adobe Premiere Pro, Final Cut Pro X and DaVinci Resolve that utilizes a unique, direct on image, workflow to make your footage look beautiful.
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